Old Kingdom, Dynasty 4, reign of Menkaura
Greywacke, with traces of red and black paint
Height: 54 1/2"
Museum of Fine Arts, Boston
Art Code: "Stay Curious"
At twilight on January 10, 1910, a young boy beckoned George Reisner to the Menkaura Valley Temple. There, emerging from a robbers’ pit into which they had been discarded were the tops of two heads, perfectly preserved and nearly life-size. This was the modern world’s first glimpse of one of humankind’s artistic masterworks, the statue of Menkaura and queen.
The two figures stand side-by-side, gazing into eternity. He represents the epitome of kingship and the ideal human male form. She is the ideal female. He wears the nemes on his head, a long artificial beard, and a wraparound kilt with central tab, all of which identify him as king. In his hand he clasps what may be abbreviated forms of the symbols of his office. His high cheekbones, bulbous nose, slight furrows running diagonally from his nose to the corners of his mouth, and lower lip thrust out in a slight pout, may be seen on her as well, although her face has a feminine fleshiness, which his lacks. Traces of red paint remain on his face and black paint on her wig.
His broad shoulders, taut torso, and muscular arms and legs, all modeled with subtlety and restraint, convey a latent strength. In contrast, her narrow shoulders and slim body, whose contours are apparent under her tight-fitting sheath dress, represent the Egyptian ideal of femininity. As is standard for sculptures of Egyptian men, his left foot is advanced, although all his weight remains on the right foot. Typically, Egyptian females are shown with both feet together, but here, the left foot is shown slightly forward. Although they stand together sharing a common base and back slab, and she embraces him, they remain aloof and share no emotion, either with the viewer or each other.
Who is represented here? The base of the statue which is usually inscribed with the names and titles of the subject represented, was left unfinished and never received the final polish of most of the rest of the statue. Because it was found in Menkaura’s Valley Temple and because it resembles other statues from the same findspot bearing his name, there is no doubt that the male figure is King Menkaura. Reisner suggested that the woman was Queen Khamerernebty II, the only of Menkaura’s queens known by name. She, however, had only a mastaba tomb, while two unidentified queens of Menkaura had small pyramids. Others have suggested that she represents the goddess Hathor, although she exhibits no divine attributes. Because later kings are often shown with their mothers, still other scholars have suggested that the woman by Menkaura’s side may be his mother. However, in private sculptures when a man and woman are shown together and their relationship is indicated, they are most often husband and wife. Because private sculpture is modeled after royal examples, this suggests that she is indeed one of Menkaura’s queens, but ultimately, the name of the woman represented in this splendid sculpture may never be known.
Excerpt from : https://www.mfa.org/collections/object/king-menkaura-mycerinus-and-queen-230
One element of Coach's Art Code is "Stay Curious". Based on the readings and videos, what are you curious about with this work?
List 3 - 5 adjectives that describe these figures and the qualities they exude - their personalities, stance, overall appearance, etc.
a) Does Menkaura's stance seem natural? b) How would you feel if you stood in this position for an extended amount of time? Explain.
a) In addition to what the stance portrays, what is meant to be depicted by "the gaze" of these figures? b) Does this seem to be in line with the adjectives that you listed for question #1? Explain.